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After Effects Masks: An Overview . . . . . . . . . . . . . . . . . Creating Oval and Rectangle Masks . . . . . . . . . . . . . . . Editing an Oval/Rectangle Mask with the Layer Window and Layer Menu . . . . . . . . . . . . . . Creating a Bezi r Mask . . . . . . . . . . . . . . . . . . . . . . . Editing a Mask with the Time Layout Window . . . . . . . . . Importing Masks from Illustrator and Photoshop . . . . . . . Loading an Illustrator path into After Effects as a mask . . . . . . . 542 . . . . . . . 542 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 544 546 549 551 552

n Baseline Offset. You can raise or lower text above the baseline or below it. To move text up, enter positive values in the field box. To move text below the baseline, use negative values.

E[W] = E[N]E[S].

169 170 170 171 173 174

Don t confuse the template file used for extracting attributes with the template file (with a filename extension of DWT that you use as a basis for opening a drawing. Keep in mind that you can t use ASCII template files with the Data Extraction Wizard; you can only use .dxe or .blk templates.

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Knowing when to stop working on an image is just as important as knowing how to begin. I ve consulted with lots of professional photographers and digital assistants to teach them these skills. Quite often, they call me in because they ve lost control of their retouching workflow. When we begin to deconstruct their workflow, they quickly see that they tend to spend too much time on things no one will see. Don t get me wrong. I m all about perfecting an image. However, if its final use is going to be an 8 10 inkjet print and you re zoomed in to 200 percent, as shown in Figure 13.3, retouching every pore in someone s skin, you re probably wasting your time. (You may even be wasting your time if the image is going to be a 30 40 photographic print, but will be mounted on canvas hung high where people can t get close to it.)

For particles with equal masses, m:1 = m2 = m, the reduced mass m, = m l m 2 / ( m l + m2) occumng in (7.37) is equal to m/2. After reducing the two-particle collision problem to a one-particle problem, we next show how to reduce it even further to the one-dimensional motion of a single

a phenomenon known as recursive frames can be dangerous to your site setup. For example, say you have a frameset named index_frame.html. If you include a link to index_frame.html in any frame on your current page and leave the target empty or set the target as _self, when the user selects that link, the entire frameset loads into the current frame including another link to index_frame.html. Browsers can handle about three or four iterations of this recursion before they crash. To avoid the problem, set your frameset target to _top. n

Paste Into Pattern Maker Preferences Preferences, last panel Print Print One Copy Print with Preview Proof Colors Redo Reselect Revert

The fundamental equations of these functions in differential form read:

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The noise sequence {v(.)} is white with variance u and uncorrelated with the data {sl(.),sz(.)}. : The symbols {s~(.), are assumed independent and of variance u," each.

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